American entertainment is moving further from stories built around traditional family life, faith, male responsibility, and national identity. Many studios and publishers now place feminist, racial, and LGBT themes at the center of major franchises. The shift isn’t limited to small projects or niche programming. HBO’s Lanterns, part of DC Studios’ new screen universe, has made race a major part of its John Stewart storyline. The series places Stewart, a Black Green Lantern, beside Hal Jordan, an older white Green Lantern, while exploring racial expectations, perceived injustice, family pressure, and generational trauma. Episode three, “OutKast,” focuses on the idea that Stewart’s parents urged him toward becoming a Green Lantern because Black Americans are often expected to overcome barriers through exceptional achievement. Race can be part of a character’s background without taking over the story. Critics, however, have argued that Lanterns moves away from space adventure, courage, and partnership to frame its heroes through on the nose racial conflicts, where the showrunners and writers are making Hal Jordan “low key racist” in order to elevate John Stewart. DC has also made sexu...
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