Joe Sacco minimizes the seriousness of Islamic terror in India

The Washington Post wrote some fluff-coated takes on GNs published this year, and it includes one by the anti-Israel cartoonist Joe Sacco, who's now apparently trying to downplay the seriousness of Islamic terrorism in India, in the pages of a GN titled "Once and Future Riot":

For decades, Sacco has carved out a space for rigorous, fact-based journalism in comics, with books on the Palestinian territories, the Bosnian war and other topics. Here he examines the Muzaffarnagar riots that tore through Uttar Pradesh, India, in 2013. Interviewing survivors and perpetrators on both sides, he carefully depicts how relations between the region’s Hindu and Muslim communities broke down. In the process of telling the story of these few days of violence and pain, he lays out a larger narrative about the rise of Hindu nationalism that is all the more troubling for the evenhanded way he explains it.

When he attacks Indian nationalism, it's harder to believe his approach is "evenhanded", especially when the following panel suggests otherwise:

So the Muslim figure on the panel is denying there's such a thing as "love jihad", even though there have been cases of this occurring in what could be described as one of the worst forms of coercion, and attempts to force women to convert to Islam. Also notice how the panel depicts non-Muslims attacking one who is Muslim, and it's set up to make it look like they're doing it out of false accusations. What "careful depictions" is Sacco working on here? This is shameful, right down to how the non-Muslims assaulting the Islamist are made to look nasty, while the cleric, by contrast, is depicted as calm and sympathetic. The riots in Muzaffarnagar were sparked by the murder of 2 men by 7 culprits who were Islamists (and certainly had names often used by followers of the Religion of Peace), and were handed down sentences eventually for their repugnant crimes. It won't be shocking if Sacco obfuscated all that. What's drawn in the panel is anything but "fact-based".

Sacco continues to prove he's one of the worst pro-Islam propagandists in the political comics business, and I hesitate to think what disfavors he's done for 9-11 survivors in the USA in the near quarter century since the tragedy in NYC. The Wash. Post is similarly doing disfavors by sugarcoating his works, and only make clear they're one of the worst papers to talk about the comics medium in any format.

Labels: Europe and Asia, history, indie publishers, islam and jihad, misogyny and racism, moonbat artists, msm propaganda, terrorism, violence