TBU Comic Review: Detective Comics #1094

In this review of Detective Comics #1094, Batman sends Robin on an intelligence mission but aborts it when Damian experiences danger.

Detective Comics #1094
“Mercy of the Father, Part Five”
Writer: Tom Taylor
Art and Main Cover: Mikel Janín
Variant Covers: Bruno Redondo, Ariel Olivetti, Juan Ferreyra, Ryan Benjamin, Dustin Nguyen
Page Count: 32 pages
Release Date: February 26, 2025

This Review Contains Spoilers

Detective Comics #1094 opens with Batman and 14-year-old Spencer Robertson lying immobile next to a burning car. Batman struggles under the influence of the midazolam Asema injected into him. Robertson is bleeding out. Batman contemplates Robertson’s story, noting that his detention at the Faultless Juvenile Detention Center made little sense. He activates an injectable benzodiazepine reversal agent from his utility belt, hoists Robertson into the Batmobile and activates its mobile medical bay. The vehicle’s computer analyzes Robertson’s blood type and Batman begins a blood transfusion as the autodrive races them to Gotham General Hospital.

Robertson fades out of consciousness, but not before he remarks that neither he nor his friends were ever scared of Batman because he is from Gotham and is theirs. Later, on the rooftops of Gotham, Batman asks Robin to follow the only lead they have: Faultless itself. Damian dons a disguise, Oracle concocts a backstory, and he heads off to Faultless after promising Batman he will obey authority to ensure he has enough time to gather the needed intelligence.

As Damian is processed in the facility, Bruce Wayne infiltrates the front of this Potemkin Village by claiming that he is interested in investing in the carceral state. Once inside Warden Slattery’s office, he ensures that the Warden trips and slams his head on a table. As a guard helps the warden from the office, Bruce taps into their security feed and harvests the contents of the warden’s laptop.

Across from Gotham General, Asema watches and waits. A noise startles Detective Bullock, who is guarding Robertson. It is Batman, who discusses the oddity of Fautless and a recidivism rate high enough to match Arkham Asylum’s. Inside Faultless in the cafeteria, a guard prepares to beat a 10-year-old boy for a rules violation. Damian is unable to countenance this and initiates a fight that leads to the inmates’ takeover of the mess hall. Oracle comms Batman to update him and Batman smiles grimly.

He calls Faultless, and the guards hand Damian a mobile phone with “Mom” on the line. Batman tells Damian to stop but understands that he cannot permit harm to come to the inmates. Damian surrenders on the accepted condition that no other inmate is to be harmed. He is hustled into a chamber, strapped to an upright gurney, and approached by a syringe-wielding Warden Slattery. Later, in solitary confinement, Batman arrives.

Damian prepares to defend himself but there is no need. Batman agrees that defending a child about to be assaulted by a grown man is a moral necessity and indicates that he will not leave his son in Faultless for a moment longer. Damian informs Batman that Warden Slattery took a vial of his blood and surmises that Sangraal continues plasma from Faultless inmates.

The Dynamic Duo arrive home and at the gates a note is taped to the wrought iron. On the front of the envelop is printed the words, “The Truth You Need to Know. – Asema.”

Analysis

Writer Tom Taylor extends the back-and-forth cadence that is emerging in his “Mercy of the Father” arc. After an intense issue 4, here, Detective Comics #1094 again decelerates. There is action – Batman saves Spencer Robertson’s life and Damian infiltrates Faultless – but once again little is seen of Asema, other than Oracle the Bat-Family is nowhere to be found, and Damian’s undercover op lasts only a single day rather than the planned four.

I appreciate Taylor’s careful stoking, and the slow-fast-slow sequencing is effective in building tension and anticipation. This book never feels stunted or tedious, and I personally enjoyed a book literally filled with high-tech gadgets no doubt originating from the genius division at Wayne Enterprises (Fox and colleagues!). Not everyone enjoys Bat-tech, but for those who do, this book is an absolute treasure trove. The utility belt, the fact that the Batmobile has a mobile med bay that operates simultaneously with autodrive, and the digital snooping Bruce deploys in the warden’s office all left this espionage and gadget fun virtually clapping with delight.

Where does he get such wonderful toys?

As a reviewer for Batman and Robin, I found the dialogue between the Dynamic Duo to be almost unexpectedly nuanced. I have never found Taylor to be especially subtle in his rendering of dialogue and character, and yet the relationship between Batman and Robin depicted here ended up surprising me. Almost immediately after entering Faultless on a critical intelligence information expected to take up to four days, Damian violates his express commitment to Batman to obey authority and stay undercover. We might expect the often grim, taciturn, and unyielding father to castigate Damian. Damian himself certainly does.

And yet Taylor’s Batman surprises, adopting a startingly familiar paternal figure, one would never, regardless of objective and context, permit his son to suffer that which the father could prevent. Damian is the one who protests that the mission is incomplete, but Batman will have none of it and shelters Damian just as one would expect from a loving parent. Perhaps Batman has been affected by his recall at the beginning of the book, that Spencer Robertson’s father walked out on him when he was 13 years old.

Artist Mikel Janín continues his absolutely stellar work on this book, achieving remarkable ends in almost exclusively a red, green, and blue color palette. Of blood and money and authority comes the mercy of the father. Batman’s own mercy is contrasted elegantly with the frightening rendition of the warden, with Janín’s legendary horrorcore put to great effect in the cloistered environment of a juvenile carceral institution conducting medical experiments on adolescents.

Final Thoughts

I really enjoyed Detective Comics #1094. The Bat-tech is fun and exciting, the relationship between Batman and Robin is complex and warm, and the artwork continues to shine.

Daniel Goldberg

I’ve loved Batman for my entire life, but really only started collecting comics in 2015. "Batman: The Animated Series" is probably the biggest influence on my conception of the character. I’m a university professor in my day-to-day life, and I am particularly interested in the ways that fear and trauma drive Batman and the behavior of so many of his rogues.