The Comics Journal interviewed Richard Bruning, one of DC’s former managers (and husband of the onetime editor Karen Berger), who, while it goes curiously unmentioned, had a handful stories to his credits, including a repellent miniseries from 1990 starring Adam Strange, which saw humanoid co-star Alanna killed for the sake of it, though that story was reversed several years later. Though I couldn’t seem to find any mention of Adam Strange here, the discussion does bring up the following, along with early efforts in digital artistry, and how Paul Levitz actually thought this guy was worth keeping for employment: There had been a couple of novelty efforts at computer art in comics by that point. There was Shatter for First Comics, and then an Iron Man graphic novel [1988’s Crash] at Marvel… Pepé Moreno approached us after Shatter came out, and we did Batman: Digital Justice. I got to work with him very closely on it, and I started learning a lot about how those tools could work. He and Mike Saenz [artist of Shatter and Crash] were pushing the boundaries of what these machines could handle. I don’t even know how they pulled off what they did, and it was certainly crude in some ways, ...
The Adam Strange Story Richard Bruning Doesn’t Discuss
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