Last issue! Alright. Let’s do this.
This issue of Spider-Man / Wolverine is everything I hoped it would be — brutal, emotional, layered with history, and charged with that uneasy chemistry that only Peter Parker and Logan can bring to the page together.
Right from the opening beats, the tension is suffocating. Arachnix isn’t just another villain-of-the-week. He feels personal. Twisted. Obsessive. And the way he traps both Spider-Man and Wolverine in those thick, barbed, almost organic webs immediately sets the tone: this is not going to be clean. It’s going to hurt.
And hurt it does.
One of the biggest strengths of this issue is how it balances physical violence with emotional violence. Wolverine is clearly not fighting at 100%. He’s fighting with baggage. The moment Mariko appears in her Scarlet Samurai armor changes everything. You can feel Logan unraveling in real time. He’s not just fighting an enemy — he’s fighting his past. When he shows to us how he’s from another Earth where he lost her? That’s heavy. That’s multiversal trauma colliding with unresolved love.
And Mariko’s reaction is perfect. Confused. Guarded. Strong. She doesn’t melt into sentiment. She stands her ground. That tension between who she is here and who she was to Logan somewhere else adds so much depth. It’s tragic, romantic, and complicated all at once.
Meanwhile, Peter is doing what Peter does best — surviving chaos with brains and desperation. The “anti-web bullet” sequence was such a clever twist. Seeing him scramble to recover that little device mid-fight while Wolverine goes full berserker mode shows exactly why this duo works so well. Logan is raw instinct. Peter is improvisation under pressure.
And that berserker rage? Wow.
The art absolutely explodes during those panels. Wolverine tearing into Arachnix like he’s fighting his own demons — because he basically is — feels savage and emotional. There’s a strong sense that it is actually really a case of him fighting like he’s fighting his own past, and that sums it up perfectly. It’s not just claws and blood. It’s guilt. It’s failure. It’s regret.
Spider-Man trying to stop Logan from killing Arachnix is such a strong character moment too. That classic divide between them — Logan willing to cross lines, Peter refusing to — is handled beautifully here. And when Logan snaps back with the logic that as long as this man lives, Mariko will always be in danger? You can see both sides. That’s good writing. There’s no easy moral high ground in this situation.
And Arachnix himself? He’s creepy in the best way. Obsessive love twisted into violence. The fact that he believes killing Logan is some kind of redemption for Mariko makes him more disturbing than a standard villain. He’s not just chaotic — he’s emotionally warped.
The action choreography throughout the issue is also top-tier. Every slash, every webline, every impact feels kinetic and heavy. The panel where Spider-Man swings in while tangled in broken webbing, scrambling to get just enough fluid left to pull off one last maneuver? That’s classic Peter Parker ingenuity under impossible odds. It’s frantic, messy, and brilliant.
Then we get the emotional cooldown.
The rooftop conversation between Logan and Mariko is subtle but powerful. He basically expresses to her how he’ll always love her. And she responds in a way that acknowledges that love — but also acknowledges that it hurts. That’s maturity. That’s character growth. It’s not some fairy-tale reunion. It’s bittersweet.
And I really liked that Peter gives them space. That little moment with him and Logan afterward — the beer joke, the awkwardness, the banter — brings levity without undercutting the emotion. It reminds us that no matter how dark things get, this is still Spider-Man and Wolverine. There’s always going to be sarcasm layered on top of trauma.
Then the Baxter Building scene opens the door wider to the multiverse implications. The portal. There’s even the tiny idea that Logan could visit another parallel universe but chooses not to. That restraint says a lot. He’s not running from pain. He’s choosing to live with it.
That’s growth.
And ending with that final tease — “The End (For Now.)” — feels earned. It doesn’t feel abrupt. It feels like a chapter closing while bigger things are clearly still brewing.
If I had to point out any critique at all, it would be that some readers might feel the emotional beats move quickly in the latter half. There’s so much history between Logan and Mariko that could easily fill an entire issue by itself. But at the same time, this is a Spider-Man / Wolverine book — the momentum has to stay sharp.
Overall, this issue delivers on every level:
- Brutal, high-stakes action
- Strong character-driven conflict
- Emotional weight that feels authentic
- Smart Spider-Man problem-solving
- Classic Wolverine rage with deeper layers
This isn’t just a crossover fight. It’s about love, obsession, guilt, and the lines heroes refuse — or refuse not — to cross.
Final Grade: A-
This series continues to prove why Spider-Man and Wolverine are such a fascinating pairing. They challenge each other morally. They cover each other physically. And when things get messy — which they always do — they somehow come out stronger.
If this is “for now,” I’m absolutely ready for what comes next.
English (US) · 