Warner Todd Huston at Breitbart says an animation producer at Netflix who created Dead End: Paranormal Park, caused serious outrage by attacking the tragically murdered right-wing campaigner Charlie Kirk:
The creator of a Netflix cartoon series aimed at children, that includes a transgender storyline, smeared Charlie Kirk and called the conservative activist a “Nazi” in an expletive-laden rant of social media.
Hamish Steele, the creator of the now-cancelled cartoon series Dead End: Paranormal Park, took to his account on the extremist, left-wing site BlueSky after Kirk was brutally assassinated to rail about Kirk and people who were shocked and dismayed by his murder.
“Why the fuck are you even commenting on this, dickhead?” He wrote on BluSky on September 11. “You sympathy for any of the families being slaughtered by your weapons. but a random nazi gets shot and its a public statement. You’re such a fucking evil shit.”
His cartoon show which pushes transgenderism and is aimed at seven-year-old children and up, also features the voice of drag queen performer “Miss Coco,” the stage name of drag performer Clinton Leupp.
What makes his rant even more horrific is that it was written on the 9-11, the same day nearly 3000 people were murdered by al Qaeda’s jihadist hijackers. These are the kind of people Netflix employs? What this terrible case does is make clear Netflix doesn’t have guidelines and certainly isn’t enforcing them for their contributors. The cartoon in question may no longer be in production, but if Netflix hires the guy again after this incident, that’ll definitely be telling. Pajamas Media’s Michael Cantrell also commented on the case:
Steele is a prime example of the lack of restraint leftists have by their very nature. Liberals run on emotion, having jettisoned logic and critical thinking many moons ago. We’re talking about a guy who made a cartoon — aimed at kids — that features a transgender storyline.
Clearly, he doesn’t reside in reality.
Aside from the perverse transgender storyline, the series features voice work by drag queen performer “Miss Coco,” the stage name of Clinton Leupp. Again, this is a cartoon aimed at kids who are seven years old.
[…] Somehow, the cartoon ran for two seasons before Netflix finally pulled the plug. The very fact that Netflix picked up this travesty at all proves the moral bankruptcy of the streaming giant’s executives.
One X user responded to Steele’s rant by canceling his Netflix subscription and posting a screenshot as proof.
[…] A third raised an excellent point by asking, “How long till we find out people working on the show are convicted sex offenders?” Shows like this function as tools to groom kids into accepting sexual perversion and depravity.
Authorities should probably comb through the hard drives of the people who make them.
Another X user slammed Steele, saying, “Imagine creating a kids’ show while showing zero compassion for a real victim. That says everything about their values.”
The above cartoon isn’t the only one of its sort on Netflix that’s not suitable for children. As John Nolte points out, Ada Twist is another:
After four seasons spent luring little kids into watching the animated program, Ada Twist, Scientist, the Netflix Grooming Syndicate decided to drop a gay marriage and same-sex kiss into season four’s eleventh episode, Blue River Wedding.
[…] This is not a show aimed at adults or even teenagers. It is aimed at little kids, and now we know it is aimed at shattering the innocence of little kids by introducing them to deviant lifestyles long before they are ready.
This is not the first time Netflix has sought to aggressively normalize the sexualization of children—which, of course, makes it much easier for perverted adults to sexually exploit them. Back in 2021, the groomers at Netflix went after little kids with transsexual propaganda during two seasons of the animated series Dead End: Paranormal Park.
Some of this propaganda appears to have turned up in the cartoons in much later episodes, possibly to lull parents into a false sense of security about what the stories would contain. As these examples make clear, the time has come to avoid Netflix altogether, no matter how their products and broadcasts are rated in suitability, if they’re even rated at all. Here’s more from Nolte, who makes a vital point for parents:
The Netflix Grooming Syndicate was caught red-handed grooming children as young as two, a boycott led by Elon Musk followed, and now Netflix has watched its stock (and reputation) slide for two days in a row.
“Shares slid 0.8% to $1,162 ahead of the opening bell, having dropped 2.3% the previous session,” reports Barrons.
The Barrons’ piece is laughably and desperately dishonest. Instead of focusing on Netflix’s demonic grooming in animated shows aimed at toddlers, Barrons blames the boycott on something a Netflix producer said about Charlie Kirk:
Conservatives have shared screenshots that appear to show Hamish Steele, who created the animated Netflix show Dead End: Paranormal Park, criticizing U.K. Prime Minister Keir Starmer for condemning the assassination of right-wing political activist Charlie Kirk.
Yes, and…?
Annnnnd….?
Barrons refuses to mention the and, which is the amoral Netflix choosing to stream animated programs that expose small children to homosexuality, gay kisses, and a little boy in a dress prancing around for his gay dads. […]
But parents need to understand that they must vet everything—and I do mean everything. Ada Twist, Scientist spent four seasons luring children and parents into a belief that this was a sweet, safe cartoon. Then halfway through the fourth season, the predators arrived with a same-sex wedding and man-on-man kiss. There’s no question what these predators are up to. Like a child molester, they lure parent and child alike with a false sense of security before striking. […]
Do not allow Hollywood to come between you and your child. These people are monsters, real-life monsters. Vet everything.
One of the reasons these propaganda cartoons were able to get as far as they did is because parents wouldn’t monitor their content to ensure they were suitable. Similar points can surely be made about violent video games. And another one can be made that parents have to start considering the challenge of encouraging their children to watch the drama and sports genres as much as the action and comedy genres, if that could help them build up a better view of what art and entertainment are all about. If Europe and Japan’s parents can raise their children on drama and sports tales, can’t the USA’s do the same? And yes, if family-friendly drama is what you need, of course, go for that, but again, it’s time for parents to consider drama as a valid theme on which to raise their children, and not act as though it’s thoroughly impossible for children to latch onto. All that’s done is bring down the art of cartoons ever more to ghettoized levels.
And it remains to be seen if Netflix will ever clean up its employment approach. Even so, if a boycott can have an effect, it’s best to stay away from them altogether now, and save a lot of money.
Originally published here
English (US) · 